Some people think that if you want to change the world you don’t become a bass guitar player, but go into something more challenging and stimulating like the Post Office. But does this myth portray how bass players really are? Let’s step back from our habitual way of seeing bass guitar players as necessary but boring members of the group. Like accountants. Sure we acknowledge the fine contribution they make to their bands by supplying the bass lines and paying for the beer, but do they actually do anything really creative? This brief listing of some prominent men (and woman) of bass will allow you to see that this apparently self effacing member of a musical group could be the creative powerhouse.
Let’s start with the leather jacketed but overpoweringly feminine Suzi Quatro. A vocalist and bass player who had a bunch of hits in Australia and Europe in the early seventies, her popularity in the USA stemmed from her role as Leather Tuscadero in Happy Days.
John Entwistle pioneered the use of the electric bass guitar as an instrument for soloists. His aggressive approach to the bass guitar influenced many other bassists.
Flea of The Red Hot Chili Peppers impressed a lot of musicians with his popping and slapping technique which was originally invented by Larry Graham of Sly And The Family Stone. Flea’s innovative use of effects pedals has also influenced many bass players.
Jack Bruce wrote most of supergroup Cream’s hit songs. Among his other achievements are fighting constantly with Cream’s drummer, Ginger Baker and surviving a liver transplant.
Greg Lake is another artist of the early seventies who played with a number of innovators from the glam rock era. Lake is best known for his vocals, bass and guitar work with Emerson, Lake and Palmer.
Rob Bailey is a bassist who plays loud and aggressive. His bass playing is an important element in the music of AC/DC.
Benny Rietveld, a Dutch musician who went to college in Hawaii, is admired for his musical and individualistic style of playing. He worked with Barney Kessell, Sheila E, Huey Lewis and Miles Davis. He has also made an album featuring Carlos Santana. Talk about diverse.
Paul McCartney played bass with The Beatles. Many bass players say he’s quite good, but he changed the world with his romantic song lyrics.
Considered by some to be the king of bass players, Stanley Clarke employs a variation of the pop and slap technique to produce some truly innovative bass guitar music. His 1976 album, School Days, is acclaimed by many critics as one of the greatest bass albums ever.
A true bass lead guitar player, Billy Sheehan has won Guitar Player Magazine’s “Best Rock Bass Player” readers’ poll five times. Why a “bass lead guitar player”? Because Billy plays bass as if he were playing lead.
So if you are not familiar with bass guitar players I hope this article has whetted your appetite. Why not spend your next rainy Sunday watching some of their work on YouTube?
Ricky has many more tips for guitar players of all levels at his blog Learn How To Play A Guitar For Free, a continuously updated directory of free guitar lessons, videos, chord charts and lots of useful guitar stuff.
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If you are a bass guitar player on a restricted budget like many musicians and have been contemplating about adding a 5 string bass guitar to your collection, here are the best 3 best bargains for 5 string bass guitars on the market.
Rogue LX205B Series II 5-String Bass Guitar – The Rogue brand of guitars have been sold for quite a long time and are a private label brand sold by the huge instrument depot, Musician’s Friend. Do not let the low price of this 5 string bass fool you. The LX205B 5 string model features an extended maple wood bass neck with a rosewood fingerboard for fast action. It also has split style, single coil pickups that produce a tone of more higher end 5 string bass guitars on the market. It comes whole with die cast machine heads and 2 each, tone and volume controls. All of the hardware on this earth shaker is colored jet black. Best of all the Rogue LX205B Series II is priced well under $200.00 and can also be found on auction sites such as eBay for even lower. You can not go wrong with this 5 string model if you are just a beginner or an experienced bass player looking to add a 5 string model bass.
Dean Edge 09 5-String Bass Guitar – Dean has long been associated with quality guitars and basses. The Edge 09 5 string is a testament to the storied quality of the company. This easy playing 5 string boast a contoured basswood body with a maple neck. The nut is 1-3/4″ in width and the guitar has a 35″ scale. The rosewood fingerboard has Mother of Pearl dot inlays embedded on the 22 frets. The pickups on this bass are of the soapbar variety and all of the hardware, including the die cast tuning pegs, are done in chrome. Best of all this 5 string beat maker will not give your wallet a heart attack as it too is priced under $200.00 and can also be found at times on eBay slightly used for even cheaper.
Ibanez Gio GSR105EX 5-String Bass Guitar – The Ibanez budget 5 string bass model offers a sleek design with an extended scope of tone for the price. The no extras Gio GSR105EX, comes finished with a mahogany basswood body and a one piece maple neck. The pickup on this bass is PPD5 with one tone and one volume knob. The bridge on this monster is a B15 with string spacing of 16.5mm. This bass guitar has a 34″ scale and a nut width of 45mm. All of the hardware on the GSR105EX is chrome plated. Also priced well lower than $200.00, you will be very happy with the playability and sound of this budget Ibanez. It may be cheap in price, but it is not a cheap bass guitar in quality.
Learn more about Five String Bass Guitars and read our other 5 String Bass Guitar Reviews at www.5StringBassGuitars.com.
Body and posture:
You must be comfortably seated, resting your back adjacent to the backrest of your chair. Your legs are in front and feet flat to the ground. This position is now your "footing" or support that your guitar is going to rest upon.
When picking up the guitar, hold it close to your chest or stomach so that the back of the guitar’s body touches your chest and the neck’s bottom is parallel to the ground.
To play the guitar in a seated position, the guitar’s body should be resting on either one of your thighs. In most guitar playing approach, the instrument should be resting upon a leg that is farthest from “the headstock”.
Your right arm and hand:
Correct hand position is crucial in guitar playing. In the incorrect position your hands will easily tire, it will be difficult to for you to play particular chords and you could even hurt or injure your hand when you continue playing in the wrong hand position.
The right hand will be used to "strum" the guitar’s strings in order to produce the varying chord sounds. Rest your right hand and arm over your guitar. The bicep must rest on the topmost part of the guitar’s body and the hand must be properly placed directly on top of your guitar’s sound hole.
A left handed individual, have two alternatives: to purchase a guitar that is right-handed then re-string it or to purchase a guitar that is left-handed.
Give focus to your "fretting hand" or the hand that is near the guitar’s neck, when seated in proper guitar position. Your fretting hand’s thumb must be resting at the back of the guitar’s neck, having your fingers positioned in a slight curled manner, balanced on top of the strings. Keeping these particular fingers at a slight curl at your knuckles is very important.
Your fingers:
Your fingers at your left hand should be bent as well as it should be pressed down onto the guitar’s strings that are located on the “fret board”. The neck’s back should be curved, in order that the hand is molded into the neck’s shape.
Remember that it is alright for you to press or push the thumb at the back of the neck when creating your chords, though this is common when one is “playing scales”. Sample out or test certain thumb positions so you will know which one you are most comfortable with.
The important factor is that you can comfortably hold the guitar, being at ease with it, then the rest of techniques still to be learned will just automatically flow, at your fingertips.
The perfect level of humidity for a guitar changes from one musical instrument to another, subject to the humidity situations in the workshop or factory where the guitar was assembled. The humidity at the time that the instrument was being assembled set up the primary dimensions of your guitar.
The most frustrating problem in the care and maintenance of a guitar of high quality is the wood’s tendency to either expand or shrink with any humidity changes.
High humidity connotes makes the projection and volume to have a lifeless and damp tone. This can come up to even structural damages.
Here are ways to fight humidity:
Watch your guitar closely
Examine it every so often so you can watch out for signs of humidity. Observe its back; when there is a drop in it will sink a bit and you can notice this clearly. When humidity rises, backs grow an arch. If the back becomes very, very flat, introduce some moisture, such as placing a dish of water in your storage area.
Store your guitar in its casing away from any heat
Keep the case lying flat on the floor and never let it lean or hang it on the wall.
When the humidity is extremely high…
Keep your guitar in a room where there is available air-conditioning system as it dries out the air. When outside conditions are not too hot, such as in spring or a rainy day, keep your instrument in a warm room, but do avoid the basement, as it tends to cool a lot.
Devices to handle with extreme dryness
Good quality humidifier can be very effective as well as hassle-free. There are also console humidifiers having rotating belts that are very efficient and space saving, ideal when your space is limited. "Dampit," is a very effective device that is placed inside the guitar to discharge moisture that is directly inside your guitar.
Headstock.
You can find it at the edge of the guitar’s neck. It is tailored with the instrument’s head for adjusting the pitch.
Tuners.
They keep the strings of the guitar stretched beginning at the base down to the knobs. Tuners help to alter the pitch either flat or sharp, depending on the player’s choice of music.
Nut.
A tiny strip of hard medium or material which supports the strings in the intersection whereby the “headstock” meet up with the “fret board”. The strips can be plastic, bone, graphite, brass or any hard medium and indented so as to secure the stings in position. The nut acts as one of several endpoints assisting the tension of the string.
Fret board.
Or fingerboard – a lengthy wood plank inserted with frets of metal that composes the top of the guitar’s neck. Classical guitar fret board is flat and is a little curved diagonally on an electric and acoustic guitar. The curve is calculated by the radius of the fret board that is the range of a “hypothetical circle” of which the surface of the fret board makes up a segment. The smaller is the radius of the fret board, the more that the curve is evident. When a string is pinched against the board, the string’s “vibrating length” is shortened thus creating a higher pitch sound or tone.
Frets.
Strips made of metal, particularly nickel alloy set in alongside the fret board that are positioned in points in conjunction with the string’s length that mathematically divides it. When the strings are pushed down from the rear of the frets, this cuts the string’s length of vibration to give off different tones or pitches.
Neck.
The neck is composed of the guitar’s fret board, frets, tuners, truss rod and headstock; all are fastened to long extension made of wood. The firmness or stiffness of the guitar’s neck in accordance to its body is one determining factor of whether it is of good quality or not.
Body.
The acoustic guitar’s body is an echoing cavity projecting the vibrations through the guitar’s sound hole which enables the audio of such instrument to be clearly heard even with no amplification. In acoustic guitars, its body is a big determining factor in the overall sound it produces.
Body is made of a very thin slice of wood (2 – 3 mm thick), supported by different kinds of internal brackets, is the most pronounced and important element in influencing sound quality.
Pickups.
This is what really amplifies the cords sound. The kind of pickup is reasonably important, depending on a particular sound that you are aspiring for.
Pickguard.
Or the scratch plate – a plastic guard or any laminated medium which protects guitar’s top finish.The pickups are framed and inserted atop the “pickguard”. On “acoustic guitars” and several “electric guitars”, the pickguard is directly inserted to the top of the guitar, and on guitars having carved tops; the “pickguard” is raised.
Bridge.
On acoustic guitars, the key objective of the guitar’s bridge is to hand over or shift the string’s vibration to the “soundboard”, which then shudders the air within the guitar, thus increase and strengthen the sound created by the cords or strings.
Body
Also referred to as the sound box. This is the largest guitar part and it comes in different shapes and sizes. The acoustic guitars usually have a hollow body, while electric guitars have solid or semi-solid bodies. Acoustic guitars have hollow bodies because they rely on the body structure for sound resonation. Electric guitars use electronic pick-ups to amplify the sound.
Headstock
The part at the end of the guitar which holds the tuning keys. It is connected to the neck of the guitar.
Nut
The piece between the guitar neck and the head. It is a small rod with indentations to hold the guitar strings in place.
Neck
The long section which holds the fret board.
Fret board
The fret board is divided into different notes by small metal rods. The number of frets in a fret board is different, depending on the type of guitar and the brand. Modern electric guitars usually have 20-22 frets in the fret board.
Bridge
A part of the guitar’s body and it is important in sound resonance. It gives some sort of elevation for the guitar strings so they can produce nice vibrations.
Pick-up
An electronic device which acts like a microphone. It picks up the vibrations from the strings and converts these vibrations into electrical impulses.
Amp
The amplifier acts as a speaker box where the sounds of the electric guitar come off.
Capo
A device which is attached to the fret board. Allows a player to play the same chord structures but on a different key.
Riff
Guitar riffs pertain to musical pieces which are parts of a song.
Reverb
It is added to the sound of the guitar through an effects box or through amplifiers to make the sounds a little bit more natural.
Tablature
Guitar tablatures (or guitar tabs) are written music for guitars. It is similar to musical pieces (with notes and other musical symbols) but the notes are translated into guitar frets. It’s a useful tool in learning how to play the guitar.
Vibrato
A guitar technique where the string is slightly bended in a fast rate to make a longer resonating sound.
Arpeggio
A technique where one takes out notes from a specific chord. This can be used to make an adlib lead technique or add to the rhythm of the song.
Pick
The small device which guitar players use in striking the guitar strings. It is usually made of plastic.
Whammy bar
An attachment to the bridge of electric guitars which can be used to bend the pitch of the notes. One can pull the whammy bar to be able to make his guitar “cry.”
Plucking
A picking technique – a player does not strum the strings all at one but hit the strings one by one to be able to get a softer and more defined tone.
Palm mute
A technique where a player uses his picking hand to mute the strings while strumming to be able to get a distinct tone. It is very popular in the punk rock world.
Acoustic Guitars
Acoustic guitars and their types depend upon their structures and body shapes in resonating sounds. Acoustic guitars are generally made out of wood. The neck is usually made from mahogany and the fret board is made out of maple or rosewood.
Among the different kinds of acoustic guitars we can point out:
They are usually the choice guitar for beginners: strings from nylon, played in a standard sitting position and used in playing classical music. Classical guitars are generating think and whole sounds.
Flamenco guitars – almost similar to the classical guitars, but they produce crisper and thinner sounds.
Steel-top guitars are very similar to the classical guitar, but they are constructed to be more resilient. The parts of the steel-top guitar are reinforced and their bodies are significantly larger than the classical guitars. All this gives a warmer tone compared to the classical guitar.
A normal guitar usually has 6 strings, but the 12-string guitar – as you understand has 12 strings. Each string is accompanied by another string of the same note, typically tuned in a higher octave. This is done to create a semi-chorus effect.
This type of guitar is similar to the steel-top guitar, but there is one detail - the steel in the middle of the soundboard is used to resonate the sound from the vibration of the guitar strings. This is giving a very thin and distinct sound, usually used in playing the blues.
Among the variations of the resonator guitar it is possible to mention - the square-neck resonator guitar, played on the lap like a piano or organ, then the round neck resonator guitar, played like a common guitar.
An archtop guitar usually has the f-hole design, this kind of guitar is preferred by jazz players.
Acoustic bass guitars are bass guitars without electronic pick-ups. The body of the guitar is used to produce the sounds. This kind of guitars usually has 4 strings, but there are acoustic bass guitars which have 5 or 6 strings.
Electric Guitars
Electric guitars use electronic pick-ups to amplify the vibrations of the guitar strings. They are usually connected to electric amplifiers. Electric guitars typically have a solid or semi-solid body type. As they are not using the body for sound resonance they make very little or no sound when played without an amplifier.
Electric guitars usually have control knobs for changing the volume or the tone of the guitar. They also have pick-up selectors – many electric guitars use multiple pick-ups to achieve the best guitar sounds. With the help of these pick-ups different tones are produced from the guitar. The tone knobs are usually used to shift from a bass-intensive sound to a treble-intensive sound or vice versa.
Some electric guitars have whammy bars. These bars are attached to the guitar to shift notes without changing the finger positions in the fret board. Whammy bars are used to produce “crying” guitar sounds. The use of the whammy bar in less expensive guitars is not advised because it may cause the strings to go out of tune.
The guitar is one of the the most popular musical instruments. The guitar, together with the drums and the piano make up a typical modern music scene equipment set.
The creation of the guitar cannot be traced to some single person, because it came about through the evolution of its predecessors.
Guitar Predecessors
There have been many guitar-like musical instruments in the ancient times, up to at least 5,000 years ago. The very first documented mention of the instrument goes back to the fourteenth century – the guitar-ancestor had three pairs of strings and a single string with the highest tone. The word “guitar” came from the word “qitara” which is an Arabic name for the different kinds of lutes during the early times.
Guitar Evolution
The guitar, as we know it, is said to originate in Spain. It is believed that the people of Malaga invented the instrument. At that time the guitar evolved from having three pairs of strings to four pairs of strings and then – eventually six single strings.
In the 16th century guitar was played by the lower and middle classes – this gave a nice spread and fame to the instrument with many people.
The guitar took serious evolution during the 18th century - the double strings where replaced by single strings and a sixth string was added.
In the 1800s, Antonio Torres de Jurado gave birth to the classical guitar. He increased the size of the body of the guitar.
Electric Guitar
Electric guitar was born in 1931. It uses electronic “pick-ups” to be able to produce sound; pick-ups convert the vibrations from the strings into electric signals. The body of the electric guitar is semi-solid or solid, depending on the design.
Since its creation the electric guitar took a great leap: no longer its sound depends on the structure and construction of the body, this is more a question of the quality of the pick-ups and soundboard.
As you can see the guitar proved to be a very dynamic musical instrument. Through its evolution, the guitar got its deserved placed on the modern music scene.
Usually any ambitious guitar player faces the following questions: “How can I learn to play guitar in a best way?”, “Should I teach myself or hire a professional?”, “What are the best guitar courses?”, “Maybe I should visit Internet-based guitar training sites?”. These questions are very important and correct because how you learn to play the guitar has the same importance as what you learn to play. Of course you can teach yourself how to play but it can work only if you’ve got a good ear and some previous knowledge of music theory or proficiency on another instrument.
However if you’re totally new to playing any instrument at all, an idea to get a teacher or join an online program where you can interact with multiple teachers is not so bad. It is strongly recommended to hire at least one teacher even if you lean towards teaching yourself.
You can ask – why? It won`t take much time for you to learn more and make more progress faster than you would in isolation because you’ll be exposed to alternative ways of thinking about your approach to the guitar. Other players` help is also strongly recommended because they can share tips and techniques you haven’t seen before. They can also help you to overcome a problem that they’ve already mastered.
Anyway the final choice about how to learn guitar is your prerogative so be wise and consider your own situation. The question below can help you make a solid decision:
1. How much money can I allot for lessons, books, etc, and how much am I willing to invest to get started?
2. What is the best way for me to learn? It means that you should decide can you pick up concepts easily just by reading about them, or do you prefer to have audio and video demonstrations you can follow along with?
3. What style I want to master? It will be still important for you to learn basic music theory for any style of music, but after some time you might want to learn some specific style of playing guitar.
4. How much time can I spend practicing every lesson? This matter is important if you are intending to hire a guitar teacher. Most of them will definitely have such condition that you should master a lesson before moving on to the next one.
It doesn`t matter if you`re not making great progress you’ll still be paying for those lessons. Thus, if your time is limited, it is recommended to use a home-study or online course. It will give you an opportunity to have 24/7 access to the information you need outside of your regular guitar lessons.
5. What level of professionalism I want to reach? If guitar is no more than just a hobby for you, then you should not spend a lot of time for thinking about the method of instruction. On the contrary, if your goal is to become a professional or start a band, then you should absorb information from as many sources as you can find.
Ok, in the previous post we gave you the rules. Those who feel ready to break the rules need to know the ways of shaping a signal. Usually this effect is:
1. Adding to it
2. Subtracting (or ‘clipping) from it
3. Modulating it
Let’s use a distortion pedal as an example. It creates noise by clipping the signal. If you look at the waveform of a guitar signal, this will look like a Sine wave. And the smoother the wave, the smoother and clearer the signal. And now imagine clipping off the tops of the curves – doing a square wave – this is how it sounds distorted.
Ok, and now you modulate a signal so that the amplitude (peaks and valleys) are more extreme, their phase or spacing less regular or the peak frequency response (tone) filtered in or out. This will affect the volume in the first case. And in the second case – this is affecting the timing or regularity of the signal. As far as the third case is taken into account, this is affecting the clarity of the signal.
That is why now we are coming to the conclusion that you basically need to check which effects cause the most significant attenuation in volume. Once this is spotted – chain them in order of most to least.
Also remember that you must balance the location of volume cuts (as well as boosts) against the amount of noise introduced into the signal.
Surely I must say that this is not something 100% fixed. The effects and their placement depends not only on the type of effects, but also the number of effects involved. This is an exciting and very interesting process that will help you to master the true nature of electric guitar.
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